Ebook Free Orson Welles: A One-Person Play in Two Acts, by Michael B. Druxman

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About the Author

Michael B. Druxman is a veteran Hollywood screenwriter whose credits include CHEYENNE WARRIOR with Kelly Preston; DILLINGER AND CAPONE starring Martin Sheen and F. Murray Abraham; and THE DOORWAY with Roy Scheider, which he also directed. He is also a prolific playwright, his one-person play, JOLSON, having had numerous productions around the country. Other produced stage credits include one-person plays about Clark Gable, Carole Lombard, Spencer Tracy and Orson Welles. Additionally, Mr. Druxman is the author of thirteen other published books, including several nonfiction works about Hollywood, its movies, and the people who make them (e.g., BASIL RATHBONE: His Life and His Films, MAKE IT AGAIN, SAM: A Survey of Movie Remakes, ONE GOOD FILM DESERVES ANOTHER: A Survey of Movie Sequels, MERV [Griffin] and THE MUSICAL: From Broadway to Hollywood). He has written two novels, NOBODY DROWNS IN MINERAL LAKE and SHADOW WATCHER, plus the humorous revisionist history, ONCE UPON A TIME IN HOLLYWOOD: From the Secret Files of Harry Pennypacker, and FAMILY SECRET, a non-fiction book co-authored with Warren Hull, which reveals the true facts behind the 1947 murder of mobster “Bugsy” Siegel in Beverly Hills. An acknowledged Hollywood historian, he has also written television documentaries and has been interviewed for various retrospective featurettes that have accompanied DVD releases of classic films (e.g. THE MALTESE FALCON, etc.). Mr. Druxman is a former Hollywood publicist of 35 years experience who has represented many film and television stars, as well as noted directors, producers and composers. One of his Academy Award campaigns is often mentioned in books dealing with Oscar’s history. He has taught various dramatic writing and film appreciation courses in an adult university and is the author of How to Write a Story…Any Story: THE ART OF STORYTELLING, which has been used as a text in several colleges. A native of Seattle who graduated from Garfield High School and the University of Washington, Mr. Druxman moved with his wife, Sandy, from Los Angeles to Austin, TX in 2009. His memoir, MY FORTY-FIVE YEARS IN HOLLYWOOD AND HOW I ESCAPED ALIVE, is published by Bear Manor Media.

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Product details

Paperback: 72 pages

Publisher: CreateSpace Independent Publishing Platform (May 5, 2011)

Language: English

ISBN-10: 146110906X

ISBN-13: 978-1461109068

Product Dimensions:

5.2 x 0.2 x 8 inches

Shipping Weight: 7 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#750,049 in Books (See Top 100 in Books)

This is an informative and touching monologue of one of the great geniuses of film.A wonderfulvenue for an actor and a fascinating read for the layman and theater/movie person alike. Mr. Druxmanhas a keen wit and is sensitive to the inner and outer conflicts of the man he has portrayed here asOrson Welles. Bravo!

The great Orson Welles, the genius of film also of stage and radio and TV;"the magnificent Welles" has become a fabulous 2act - 1 person audio book play brought to us by the gifted writer Michael DruxmanThe voice of the narrator is Edward French but he sounds like Welles. As the play moves on it is hard to tell what words belong to Druxman and what is Welles and French's voice becomes Welles' voice. So it is very much like listening to Welles speaking directly to me. By the end of the 'book or play or whatever' I think I know more about the man and understand a little more of the why...(perhaps Welles needed to develop his post-production skills or just not take vacations.)

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Ebook Download Star Trek The Next Generation: Technical Manual, by Rick Sternbach Michael Okuda

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From the Publisher

The Star Trek: The Next Generation® Technical Manual, written by Rick Sternbach and Michael Okuda, the technical advisors to Star Trek: The Next Generation, provides a comprehensive schematization of a Galaxy-class starship. From the bridge to the shuttlebays, from the transporter room to crews' quarters, this book provides a never-before-seen glimpse at the inner, intricate workings of the most incredible starship ever conceived. Full of diagrams, technical schematics, and ship's plans, the Star Trek: The Next Generation Technical Manual also takes a detailed look at the principles behind Star Trek®'s awesome technology -- from phasers to warp drive to the incredible holodeck.

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About the Author

Rich Sternbach is a Hugo and Emmy Award-winning visual artist with extensive film and television experience. Famous for his work on Star Trek, he has been responsible for a number of starship designs. He co-wrote the Star Trek: The Next Generation Technical Manual and the Deep Space Nine Technical Manual.

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Product details

Series: no edition stated

Paperback: 183 pages

Publisher: Pocket Books; 1st edition (November 1, 1991)

Language: English

ISBN-10: 0671704273

ISBN-13: 978-0671704278

Product Dimensions:

8.5 x 0.4 x 11 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

108 customer reviews

Amazon Best Sellers Rank:

#173,802 in Books (See Top 100 in Books)

I never do reviews like this, but I was so disappointed with this purchase that I had to. I used to have the first printing of this book and it was great. I went to buy a new copy because I lost my old one, and I was not happy. For starters it is printed on-demand. The date it was printed is on the last page and it has the same date as when I ordered it, which is fine, however, it is printed from a scanned copy so the quality is horrible. The first printing was printed in black AND blue ink, the reprints are all in black, so there is a big issue with a lot of the graphics (especially when blue, black, and gray are used together.) The best part of this book was the graphics (it is a technical manual!). The writing is great, but the cheep xerox printed look leaves much to be desired. Do yourself a favor and get a more useful used copy of the first printing. - Note: it is still the first edition but not the first printing (there is no changes to the content - just the printing).

[This review applies only to the Kindle version]I purchased the original paperback version when it came out and loved it. Full of neat little illustrations and tons of background data, it was, and still is, the definitive resource book for TNG fans (right next to the Encyclopedia).The Kindle version is terrible. I'm sorry, Amazon, but you should be ashamed of yourself. The text is all there, but the illustrations, for which the book was known for (as another reviewer said, this is a TECH MANUAL, for crying out loud), are small, blurry, and look like somebody literally photocopied them (and not very well). To make matters worse, some of the illustrations are in the wrong place and don't even match their captions...thankfully, I have the original soft-copy book still.Please re-create this for Kindle...it's such a shame, I was so excited to buy this.

I still have the original from the 90s, but wanted a copy I didn't have to worry about wearing out further. While the original printing had crisp, two-color graphics, this was obviously a fairly quick scan/OCR job. The illustrations don't show much detail, and often have incorrect captions due to missing illustrations. The text itself contains numerous and obvious errors from the OCR process (lower-case "L" replaced with exclamation marks, etc.). It is accurate enough, but disappointing that so little care was taken to convert it into an electronic version.

Adding my voice hoping to bring down the star rating. I have the EXACT same story as the other 1 star raters. Had the original book from the 90s. I actually gave it away to a Trekkie buddy because I had read the thing cover to cover but later regretted it. I was excited to get this book back in my library BUT NO! The material is all here but they phoned in the printing. I think Xerox actually published this. I would rather have a used dog eared 90s version than this thing. Some of the illustrations are down right unreadable.

I used to own this in the print version and loved it. Lost it in a fire and decided to go "modern day presidential" with an electronic version on Kindle. I am VERY disappointed in how the artwork transitioned - almost every illustration is blurry and dark, with text that is difficult to read at best. Most of the flowcharts reproduced here are impossible to read. A number of the illustrations do not match the descriptive text. This is a very poor (and lazy) port of the printed book to the Kindle format - it's like the editor was asleep or just didn't care about the end-quality of the product. As to the text, format, thoughtfulness and depth of the information presented: 5 stars for sure. This is one of the best Star Trek related books I have ever seen, the authors of the text did a commendable job. Illustrations are profuse, detailed and well-rendered in the printed version - too bad they are so disappointing on the Kindle. Buy the print copy.

I've been hesitant to buy this for a while because the claims from people about the quality. Once I found out that you can return a Kindle purchase, I bought it. Considering the age of the original publication, I think this converted to Kindle very well. The LCAR style page markings are not present, a few of the graphics look like a copier ran out of ink, but, I have ZERO complaints. My original copy that I bought in '92 is very delicate and I don't want to keep using it for fear of pages coming out... this Kindle version is a perfect substitute. Now, if only Amazon would put the DS9 Manual on Kindle.

If you are a fan of Star Trek: The Next Generation and a tech head, "Star Trek The Next Generation: Technical Manual" is a must. It has plans, schematics and illustrations of all the systems on the Enterprise 1701-D, with additions of the shuttlecraft, the captain's yacht, weapons and other aspects of Trek life. Want to know how the Structural Integrity Field works? Or maybe the Transporter or artificial gravity? It's all right here. (Want to know where they go the bathroom on the bridge? Sorry, that's *not* here.) It's all black and white (no color), clearly drawn illustrations and absolutely understandable explanations (if you can call lots of invented theoretical science understandable). There are little sidebars with behind-the-scenes insight into some of the thought that went behind it, who at NASA they consulted and what episode something appeared in. I wish there was lots more of these, but then maybe it would spoil the effect.It's a great reference for Trek modelers and just a fun book to look at if you like this kind of stuff. And it makes you think they really thought about the technology behind daily life fairly seriously (what, no breweries in engineering?!). Published in 1991, this is still a great book to have for a great series.

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Free Download Pygmalion (Dover Thrift Editions), by George Bernard Shaw

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From the Back Cover

One of George Bernard Shaw's best-known plays, Pygmalion was a rousing success on the London and New York stages, an entertaining motion picture and a great hit with its musical version, My Fair Lady. An updated and considerably revised version of the ancient Greek legend of Pygmalion and Galatea, the 20th-century story pokes fun at the antiquated British class system. In Shaw's clever adaptation, Professor Henry Higgins, a linguistic expert, takes on a bet that he can transform an awkward cockney flower seller into a refined young lady simply by polishing her manners and changing the way she speaks. In the process of convincing society that his creation is a mysterious royal figure, the Professor also falls in love with his elegant handiwork.The irresistible theme of the emerging butterfly, together with Shaw's brilliant dialogue and splendid skills as a playwright, have made Pygmalion one of the most popular comedies in the English language.

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About the Author

In the course of his long and prolific career, George Bernard Shaw (1856–1950) wrote 60 plays, in addition to music and literary criticism. An avid socialist, he regarded his writing as a vehicle for promoting his political and humanitarian views.

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Product details

Series: Dover Thrift Editions

Paperback: 96 pages

Publisher: Dover Publications; FIRST EDITION edition (October 20, 1994)

Language: English

ISBN-10: 0486282228

ISBN-13: 978-0486282220

Product Dimensions:

5.2 x 0.2 x 8.5 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

314 customer reviews

Amazon Best Sellers Rank:

#15,683 in Books (See Top 100 in Books)

** Spoilers***I don't often write reviews with spoilers, but I can't really explain why I like this book so much without talking about the ending. As with many of my reviews of classics, I find that I must review this book in comparison with the movie that I had seen first. The musical "My Fair Lady" is based off of this play to the point that many scenes are even word-for-word. The differences between the musical and this book, though, is huge in my opinion.The story for both "Pygmalion" and "My Fair Lady" is about both Professor Henry Higgins and Eliza Doolittle. Professor Higgins is a linguist who forms a bet with Pickering to covert Eliza from a poor flower girl to a duchess just by cleaning her speech.The musical really focuses on the character development of Professor Higgins. Eliza tries to exert her independence, but she ends up coming back to Higgins like an abused wife comes back to a pouty abusive husband. The costumes and music are so beautiful that we try to believe that Higgins is actually in love with Eliza even though there is absolutely no proof of it. I thought the actors were great in this movie, but I found the story disturbing. The lesson was very male-centric and Eliza's independence meant nothing in the end. She came back to fetch his slippers. Nothing changed for her.From the moment "Pygmalion" was written reader tried to create this sort of love sort between Eliza and Higgins. This caused Mr. Shaw to write a long epilogue explain why a romantic ending such as this was impossible. I completely agree with Mr. Shaw in this."My Fair Lady," portrays inconsistent characters and demeans women. "Pygmalion" is much more consistent and, for a book written by a man, one of the best depictions of women I have ever read.In "Pygmalion," Eliza is actually the focus. Higgins thinks of himself as the perfect Victorian gentleman who is creating a piece of art like in the Greek story of Pygmalion. What we learn in the end, though, is that Eliza was always a person of value even before Higgins came around. Eliza learned to be a lady from Pickering because he treated her like a lady from the beginning. Higgins treated Eliza horribly from the beginning and never stopped. It wasn't Eliza's speech that made her a lady, because we find out she had a fantastic ear for both speech and music, instead, it was actually how she was treated that matters. Higgins never learns this. His horrible manners and rudeness separate him from good society, while Eliza shines wherever she goes. With all the characters of this story, from Freddy to Eliza's father, we learn that there is very little difference between high society and they gutter other than money.Eliza in the end of "Pygmalion" chooses to marry Freddy who loves her. This is as it should be. When being loved and appreciated is so important to Eliza, why would she choose to go back to the horrible treatment of Higgins? Freddy and she open a flower shop with the help of Pickering. Eliza does stay close to Higgins as she does her own awful father, but she has learned self-respect. Once a person learns to value themselves, they can't allow another person to take that away.I know many people who think that this ending is a shame. They like Higgin's bullying ways. I find these are the same people who read romance novels in which male character rapes the female character under the name of "romantic". Even though I like James Bond novels, I most certainly do not agree with his horrible treatment of women. I can like Higgins for who he is, but I am very grateful he chooses to stay a bachelor.Eliza's character has learned to rise up and make her own choices. This isn't a Cinderella story as so many people want it to be. Eliza's soul is still the same. She is a survivor and a fighter. It takes a very strong woman to stand up to a man like Higgins who can twist and turn words to get his way. She is what a woman should be and even gets the support of Higgin's mother in her battle for independence. Mr. Shaw understood well what a woman wants and values. Eliza doesn't try to become a man to fight back. She just fights back.This review may have ruined "My Fair Lady" for you, but I find I can still enjoy the music and costumes just fine. After reading this book, I can even watch the musical with the satisfaction that Eliza doesn't stay in that abusive situation for long. I honestly can enjoy the movie more now after having read the book. Higgins is not Pygmalion even though he wanted to be. Eliza instead is able to show that she always was alive and had value from the very beginning. This is as it should be.I recommend this book to young adults and older. I wish, especially, that women would read this and learn to expect more from their relationships. I wish that woman would look at this portrait of a strong female character and see that you don't have to marry the bully just because you can care about him. Love is more than compassion. I wish that woman would stop writing "romantic" novel based off of abusive relationships. Mr. Shaw is a man who understood women better than many women understand women.One line from "My Fair Lady" that you will never read in "Pygmalion" is "why can't a woman be more like a man?" In many ways, Mr. Shaw actually asks Higgins "why can't you humble yourself enough to learn from Eliza?"

I find it rather sad, as Eliza fights to maintain her dignity (which she had all along, even before her transformation) against Higgins' abuses. I certainly don't find it funny by any means, and I'm sure Shaw didn't, either. I'm glad that Shaw didn't opt for the happy ending, although that would have pleased the crowd.

Good play, somewhat wonky formatting. The first time I downloaded this, it was so unreadable that I deleted it immediately. Oddly enough, when I downloaded the same copy again a few months later, the formatting was much better, so I assume the publisher fixed it. The font still sometimes changes size and style a bit randomly, but it's overall much more readable.

One of the classics and my favorite plays ! The story is timeless and shows us to not judge a book by it cover ! The cover can be replaced so easily , but what's inside does not truly change . Shows the importance of language and culture, but underlines what is truly important and that is something everyone has to figure out on their own , rather than force it on someone else

Great classic!Was an easy read as it was a play so there was little struggle with the language of the time, although Eliza's initial dialect proved challenging to understand, however I found reading it aloud helped decipher what she was saying. Fabulous descriptions of the set from Shaw allowing a reader to really captivate the reality of the location and draw up a setting and acting as a great baseline for directors and set designers. Simple but interesting storyline. Short book and a great quick read!

I liked the story. Not a rags to riches type story, but one of complete personality change through speech, dress, and manners. I got the book out of curiosity after coming across a reference to the story in book that I was reading. Finding that it was available free, clinched it.

So THIS is the proper English language? George Bernard Shaw has written (all those years ago: 1913) a tale of the use and abuse of this great language in a wonderfully satirical way. He certainly had some strongly held convictions about what was the right way to speak and what was the wrong way, even though he has exaggerated his beliefs in the presentation of this play. We are all familiar with the IMproper Cockney speech of Eliza Doolittle and the challenge of 'enry 'iggins to teach her the proper way to speak, thereby making a Lady of her, and it is just as much fun to read the play as it is to see it performed on the stage. This is just one edition of Pygmalion available and it has Notes, Chronology, a Preface, etc. to flesh out the story.

I recently saw this play and I love Bernard Shaw and loved the dialogue. I read it on the plane to visit a friend who read the synopsis on the cover which indicated that it was in favor of exploitive capitalism rather than a satire. Other than that, it's a great play.

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Product details

File Size: 4264 KB

Print Length: 466 pages

Publisher: Bethany House Publishers (February 18, 2014)

Publication Date: February 18, 2014

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00DWA699G

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Amazon Best Sellers Rank:

#92,093 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I read the two previous books in the series and was looking forward to this one. This series captivated me, to the point that I actually went and purchased the books after reading the first one free on Kindle!This last book was well done. I found that I was beginning to tire of quests and battles, but it was well written and hung tightly together. Adora develops more of a personality and becomes three-dimensional, more than just the spoilt princess who has turned Errol's head. Carr does a good job of continually resurrecting characters from the previous books instead of always adding new ones. This helps give continuity and clarity to the series.The ending was disappointing for me. After such clear description and minute play-by-play, and the forceful build-up to the final determining battle, the climax, for me, was flat. I found it difficult to follow and almost indecisive, as if the author couldn't quite bring himself to write the ending that the books had predicted! The last two scenes (epilogue) were unclear and foggy, which was surprising after such clear and strong storytelling. I found myself wondering what had *really* happened, an unusual occurance while reading Carr's work, and a question that seems destined to remain unanswered.I would certainly recommend these books as excellent fantasy fiction, with consistent details (quite a feat!) Carr draws you into his world and explains without being didactic. Were Carr to rewrite the ending to be more consistent with the story arc, this trilogy would, for me, rank near classics of the allegorical canon.

Fantasy authors use magic and mythology to provide setting, plot, and and character development. Most authors today rely on pagan practices and beliefs to do this. The author of Staff and the Sword instead draws on Christian history and spiritual concepts to build his characters and world. His world follows more closely the one we know than Tolkien’s or Lewis’s, but elements such as how the Holy Spirit communicates and the physical abilities of the heroes and holy men and women show spiritual power in physical form. Having said this, the hero is different than others I have encountered in fantasy novels. The main character is beset with addiction stemming from abuse and neglect. He must overcome these and other great obstacles by choices and work and more suffering, which makes his story more closely resemble our own struggles and path to redemption. The author does not use supernatural elements to cause and solve all problems where other fantasy authors often do. I think this lends to the richness of this story. The one thing most fantasy authors share is a redemption story which requires the protagonist to suffer and die for his people. It is as if the Creator emblazoned this in the mind of all people in all times as one He wanted to tell. The ending of this story is no different though has a beautiful twist which I did not expect. As I think about the character, his desires and personality, though, it fit completely. Great book series for anyone who loves fantasy. I am ammending this review to say that the book is written for teens and above. There are some references to sexual situations that are most appropriate to teens, however, nothing is graphic or overly disturbing. There are also many battles and smaller fights in which the characters kill and are injured. If I am at all uncomfortable with anything in this book, it is the amount of bloodshed in it. The women who throw themselves at the protagonist seem over the top to me as well. All these things are not what I remember most about the story, however. This is truly a beautiful story of redemption first and foremost.

I have finished the trilogy. The five stars are meant for all three books. I have read other reviews in which the writers have eschewed Mister Carr's efforts, claiming them to be less than his Christian tenets might require. "Let me speak plainly." ...Wrong! As I read these books, I kept the remarks of one of those "reviewers" in mind. She/ He admitted to not having finished even the first book, and yet, she/ he proceeded to call Mr. Carr something akin to a heratic.Okay---that being said, it is my recommendation that this work NOT be viewed as Holy Writ, as the reviewer seemingly expected it to be, but as the work of fantasy it truly is. Does it have good and bad people and their beliefs? Uh...yeees! I think that's one of the things we learn in writing, is it not? That there is a Protagonist and an Antagnist? ...etc...Sorry --- anger is a secondary emotion, after all.I recommend the books highly. I bought into all the characters and situations (fantasy, remember?) presented. Are there flaws? I'm sure there are. Could I write it any better? Uh-uh. Is it what I look for in a fantasy book? Yes. No swearing, no sex scenes (romance? yes), violence? Yes---a bit more more at times than others but not to the point that I wouldn't let my 10 year old Grandson read it. Which brings up the point of very good vocaulary. (and maybe this is where the reviewer lost track of the story) The writer doesn't write "down" to anyone. And, so, my Grandson might have to look up some words in order to get the full flavor from the story. I say, "Hurrah!" Would that more writers were like this and not resort to the base and perverse so that they can sell more books to a, "wider range of people", one that only understands the base and perverse.If it sounds like I like this guy, you're right. Read 'em...read 'em all.

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